Resume of the tutorial with Jonathan
Date: December 1st. 2017
Topic: Feedback from Unit 1, and whats next.
We talked about my consideration for the final project. Multiple screens, sound and movements are still on my mind. I’m started researching Augmented Reality (AR). Some years ago I saw an artist (Camille Scherrer) presenting an AR-project at Resonate in Belgrade (2013), it has been on my mind since then because of its simplicity and focuses on illustration.
We talked about technology; the possibility with new stuff and the value of cooperation with other people.
There is a lot of clever technical stuff going on according to AR, but a lot of it is empty there is a need for depth of content; a poetic level.
Jonathan mentioned that I have the potential here to do, with the depth of thinking behind my work, that I got the potential to do something interesting, particularly around AR. It is not about the technology but the content. He reminded me that I got a whole banc of material already and that I can create more sound and images.
We talked about my subject; dreams and surrealism fit well with the idea of an extra level of the reality like AR where other stuff is going on at the same time in the same space.
The obvious thing about AR is an installation where someone uses a kind of device like an iPhone, but there could be other ways of using AR, which I have to look at like if people can move them self physically around in a space, turning around and questioning what nature AR might look like. Jonathan encourages me to go and play with it to push it.
I got such a positive feedback from this tutorial and from Unit 1, I should be pleased, and I am pleased (I am too shy to write all superlatives) – I learned a lot about myself during Unit 1.
My statement for Unit 2:
· More practice
· Take risks
· Make documentation on my blog.
What to do now:
· Investigating AR in theory and praxis
· Continue making dream images
· Stil researching the subject dreams in art and as a human experience.
Resume of the tutorial with Jonathan
Date May 22.
Topics: How is my practice going and a little about the research paper
Status right now:
I’m still making dream images. After mid-point review, I started a dream-diary: quick ink drawings. I like the freshness, but I’m not sure about the purpose. Maybe the purpose is just doing it and get a good feeling.
I’m waiting for a second Processing output test from my colleague Stig. I made a new catalogue of elements and some adjustments, one week ago. In the meantime, I tried to animate one of the dream images, but get bored before even finished. There could be three reasons for that:
1. Working too slow in After Effect and on another level than I used to, years ago.
2. My idea for movement is too boring and obvious I’m too much in control.
3. I need another layer/element in the moving part.
We talked about sound, scale, space and multiple monitors/screens as new elements to the investigate. I feel it is the way to go right now; jump into a new field and not complicating things which are working fine (the images).
The installation Ouroboros I saw at Click Festival, inspired me – sound, several screens, space, etc. Sound is powerful I have to do a deeper research. I could also start working with my text experiments; a voice could be part of a soundscape.
I reflect on avoiding being too much in control in the creating moment, sometimes I better like the first fresh and rough sketches than the final solution.
We talked about an exhibition by William Kentridge I saw a few weeks ago, and my first impressions; playfulness, control – out of control, drawing as a part of the entire expression and not as an art object.
WK’s style/language has a feeling of random and chaos in contradiction to Michal Craig-Martin who seems to be much more in control. At last tutorial, Jonathan recommended me to read about Michael Craig-Martin, because he had been working the most of his career with a kind of catalogue from where he made sculptures, paintings, wall drawings, etc. I heard him in an interview, and it surprised me to hear him say: I don’t have a plan, I never have a plan I do what is coming next. Because looking at his work, you don’t get that feeling.
We talked a little about the Research Paper and in the light of that two artists and my MA project, the issue of control/lack of control could be a subject for my research paper.
Inspired by Wilhelm Freddie and other surrealists, I decided to work with internal images which occurred in dreams or unconsciously situations (half dreaming). My idea was to be as honest as possible to what I saw. I didn’t write down the action of the dream (story) or made any interpretation; I tried to visualize a sight I had during the dream just like a snapshot.
I wanted to experience how it affected my working process and my outcome.
It was crucial that I could remember my dreams and keep them in my memory; doodles and quick notes helped to capture sight, story, and mood. Sometimes I only got the mood I couldn’t remember any images.
Another important factor was the amount of sleep; less sleep – fewer dreams, long sleep more clear dreams.
I was conscious of being subconscious; if I lost a dream in my mind, I tried to bring me back to the mood and tension during the day in attempts to get the dream and image back.
My visualizations methods were quick. I experimented with coal, glue, and aquarelle. Coincidence is part of the work with this technique. First I made very rough sketches and then 1-3 painting of the same motive, then I loaded it into my computer. Some of the images I worked on in Photoshop. I wanted the images to work and stand alone.
Despite quick technique and sleeping every night, it took me longer than expected to make ten dream images, because I lost my dreams, I woke up too early.
I enjoyed making the pictures; visualize a sight from a dream, pick up something unknown from my subconscious.
Can I work with the ten dream images as they are now or should I develop them further in a different direction? It is a question I have to think about.
I want to continue working with dreams. Make more rough drawings, and add movement and sound. The style does not have to be the same as my ten aquarelles.
I will study artist who has used dreams as a theme.
Trying technique; cinema, Animate (Flash replacement), Audition
Eisenstein, Surrealism, Lev Manowitch, (research book which one)
What I want to produce as tests:
1. The interactive climacteric dance: My Body Change.
Little-naked women dancing a kind of loop dance, when clicking on her she stops, and an event will take place. The event takes 5-7 seconds, and she starts dancing the same dance again. There will be 4-5 events, and they will randomly take place while clicking on the little lady.
An event has to do white the climacteric phase; hot flush, menstrual stop, headache, etc
The dance symbolizes: Lief going on
Style: Hand drawing animation
Sound: Beet loop and real sound
Techniques: After effects and Animate
Challenge: No skills in interaction
2. Continue making sound test sequences combined whit cinema.