I got an advice at the Mid-point review session: make a dream diary.
In fact, I thought I already did it; I was writing notes during the day when I was able to remember a dream. I realised that it sometimes was too late and also turned into be to controlled.
Then I change my method to draw a one-minute drawing, immediately while waking up, with ink and wood chips as a tool to make it less precise and more randomly.
Since I started the new method, I have been able to capture more images, challenge the drawing style in the light of Surrealist automatism and went more satisfied with sketching especially because of the ink.
In this period, of ink-drawn-dreams, I saw a huge exhibition at Louisiana contemporary by William Kentridge. It felt inspired of WK’s use of quick drawings technique with ink. I will make a blog post later about my visit.
Yesterday I saw an image of the danish surrealistic painter Rita Kernn-Larsen in a newspaper. RKL was active painting from the beginning of the thirties and is now showed at Peggy Guggenheim Collection Venice. I noticed the objects in her paintings and saw parallels to my objects from my dreams (hands, scissors, etc.,. I will also make a blog post about her later.
Ouroboros Ali Hussaini (US/UK) and Keir Vine (UK)
Ouroboros is a 3D visual collage of vibrating mandalas, exploding galaxies, astronauts and corporate logos, among much more, on six screens, all in the service of reconnecting consciousness and the cosmos.
Ouroboros treats the history of the universe as an animated visual poem. It contains an hour of looping animations, and it uses Chromodepth technology to create strongly holographic images that remain sharp without glasses.
This exhibition presents a series of work by the German artist Julian Rosefeldt produced over the past 15 years.
Deep Gold is based on the Spanish filmmaker Louis Buñuel’s 1930 film L’Âge d’Or. Louis Buñuels wrote the story by following the surrealistic method of automatic writing. It caused quite a scandal in its day.
The Swap seems like a cliche of a gangster film. A scene describes a meeting between two groups of gangsters in a container terminal changing suitcases. The actors are performing a precise choreography without saying a single word. Some movements are repeated which strengthen the connection to a dance, mostly modern dance because of the use of contraction and release. The combination of modern dance and gangsters is quite funny but it also creates a focus on how we move around each other in a given situation as human.
New dreams have been illustrated, and I’m close to finishing elements for a second “random Processing session”. I was curious to see how the new elements worked together, therefore, I made this analog-combined composition.
Working with the image manually make me feel closer to my material, the outcome from Processing could generate a distance as well as make new, unpredicted solutions, which at the same time could be more exact.
My experience, while working manually, is that I’m starting thinking too much, the coincidence and subconscious stops, and I’m not sure if it is real randomness.